Showing posts with label Contemporary Literature. Show all posts
Showing posts with label Contemporary Literature. Show all posts

Thursday, March 22, 2018

Dial D for Don – Inside Stories of CBI Missions by Neeraj Kumar



Neeraj Kumar I.P.S., the commissioner of police and Nirbhaya Incidence of December 16, 2012, may help many readers to identify the person who is an author of the book which is named "Dial D for Don – Inside Stories of CBI Missions".

The actual nature, quality and standard of the content of the book is well described by Suhel Seth in a comment given in the description of the book on the Amazon.

If a reader is interested in a more straightforward comment on the book, then the remarks of Ravi Shastri emphasises the entertainment factor of the book available where the previous remark appears.

Both the above-mentioned observations are provided in the Amazon portal itself at the selling page of the book. These are also included at the beginning of the book within the overall body of the content of the book.

The print length of the book is 297 pages for English edition. It was published by Penguin Random House India in 2015.

At the time of writing this commentary, there were 82 comments on Amazon portal on this book with the 4.2-star rating out of five. The remarks itself are fascinating reading. For any ardent reader of good literature and especially non-fictional works, it can be a learning course to evaluate the nature of the comments which a work obtain if it is actually substantial and useful work. Those who have given 1 star, their names are not revealed. But, their comments itself become intriguing. If a reader has an understanding of the inside stories of the power centres and people with higher authorities, then one may just smile at the thoughts of the jealous people who can be behind those comments. Secondly, as per the record of the Amazon, they have purchased the book. They have virtually foot the bill of the coffee which the writer might have consumed while writing the book. They are really quite generous in their act but unnecessarily exposed a baser side of their existence.

S. Hussain Zaidi's Role in making the book.
S. Hussain Zaidi, a more established author of the crime thriller non-fictional works, has played a role in bringing out this book. He had sought the help of Neeraj Kuma I.P.S. in his activities of promoting his new release and observed that the person whom he had involved was equally a prospective writer. It goes to the credit of Zaidi to introduce Neeraj Kumar I.P. S. to Penguin publisher as a potential writer without caring to create competition for himself in his own field. Zaidi earns the praise of his readers for this role for acting most unselfishly. It is duly acknowledged by Neeraj Kumar I.P.S in the preface of his book.

In the preface of the book, the author Kumar recollected that he found faults with the book by Zaidi. The book in question was Byculla to Bangkok by Zaidi which I have already discussed on this blog. I have expressed some dissatisfaction with the content of the text and the writing style of Zaidi. I believe that Kumar had used his 'punches' on those very points. As a reader of Zaidi, I have found the work of Kumar is definitely a couple of levels above than that of Zaidi. Zaidi, being a person with journalist background and success with his book and Bollywood, writes for the producers of the Bollywood more than for the readers. I have pointed out that feature in my reviews of his book. Kumar has written a true non-fictional work with a better quality of literature. His work will definitely remain a reference work in the field of academics regardless of the caution which the writer has used in revealing the documentary proofs. Zaidi's work will also remain important because his work was readily picked by Bollywood and secondly he had trodden into an unchartered territory which the Indian intellectual field had not explored in Independent India. It will not be a surprise if tomorrow the people learn that some Bollywood movies are produced using the contents of the work of Neeraj Kumar I.P.S.

Neeraj Kumar is an alumnus of St. Stephenson's College of Delhi University. The author has made his alma matter proud by adding a new feather in his cap by contributing to the literature.

Neeraj Kumar I.P.S claimed that he was a reluctant writer. He expressed some apprehension about the purpose of such a writing. He knew that the ex-officers from different cadres had been writing about their memoirs. He was also apprehensive about the response of the readers. It is a general feeling among every writer when the writer ventures to write something for the audience.

Writing is not a simple exercise. Neeraj Kumar I.P.S has shown the quality of his calibre by taking up this task but defining the sphere of his work by himself. One can not dictate him, and that is the message. The publisher had approached him to write his memoirs. However, analytic and professional training guided him to frame the nature of the task himself. Probably, as an ex-officer, he was not accustomed to receiving assignments. He had lived his life by allocating and directing people to perform the tasks. So how can a publisher dictate him to deliver a pre-defined task? If an assignment has to be achieved, it was to be decided by him. He decided the contours of the assignment. He did exactly that. He did not write his memoirs. However, he decided to perform a task. He decided to write accounts of police operations in which he participated during his tenure in the CBI. Thus, this book was framed and written. He had selected 11 episodes from the repertory of his professional experience. He had exercised his discretion in choosing the cases. However, he had not shared the rationale behind picking the specific cases. No doubt, all of them are somewhere associated with underworld with a single person bossing over it except one. There was one episode which was not associated with the underworld. It was related to Punjab and its separatist movement. However, if we change the fulcrum of the set, then, the selection was somewhere guided by the interference of a neighbouring country in India. Such an angle of the collection of the episodes might have caused some dissatisfaction with some readers. Some of the comments in the review section of Amazon are about the naming of the title as well as the formatting of the title. The silhouette of Dawood Ibrahim is too prominent along with other people from the underworld. That might have been the cause of the dissatisfaction among such commentators.

On the whole, the book is envisaged, decided and framed by the author himself. While writing, Neeraj Kumar did not make it a casual affair. His senior, Raja Vijay Karan, who had written the forward to this book, showed great administration for the ability of the writer to write everything from his memory. However, the writer had done some extra work to make his work meaningful and useful as a work of cerebral activity. He has provided some exclusive photographs which are not probably available elsewhere. He had sought the help of diagrams and illustrations which are work of a professional. Raja Vijay Karan had remarked that Neeraj wrote out of his memory. However, within the book, the writer had mentioned that he was quite possessive of his laptop and fiddle with it regularly. The laptops were made available during the tenure of Joginder Singh IPS. Rest can be guessed. 

The content of the book.

There are 11 episodes or cases which the author has selected.

His writing is too gripping and smooth that you glide through them without interruption. Some people have pointed out that he has written tough English. It is an amusing comment. If one reads it on the Kindle, then there is no issue of facing the problem of comprehending of any unusual word or term. A dictionary is built in. A mere click on an unfamiliar word will give a pop up with a meaning. All such words, when provided with a general sense, get fitted in the general narration that one may not face disruption in comprehending the whole scene. 

The writer has remarked that it is his first attempt. If it is the first attempt, then it has already crossed the highest level of perfection. The scenarios and milieus are created like an expert. The human feelings pull and pressures, angst and happiness on success are so correctly displayed through the words that it qualifies for the position of a masterpiece. The person is an alumnus of St. Stephen's College and held the highest post in the power echelons. The amount of drafting and reporting which he had done during his service, the varied experience at UN level and interaction with officers from different fields, culture, countries and professionals had already honed up his skills of writing. The issue before him was to address an equally varied panorama of readers. Every writer has this fear. He had the same. But, he had accomplished the task with perfection.


The forward is written by Raja Vijay Karan. The writer of the book definitely had a great admiration for the senior officer. Therefore, the author had invited him to embellish his work. The writer of the forward definitely provided a tone to the whole work. He had penned a glimpse of the constraints under which Neeraj Kumar, the author, had accomplished his task. He had also suggested in a hidden manner those hurdles in the system and jealousies of his colleagues which Neeraj Kumar had encountered during his service. Later, in chapter 8, the unmasking of Romesh Sharma and then in the last episode, Tracing of MK, the writer himself had shared all the turbulences and pains. It seems that he has taken his revenge in a very discreet manner by producing this work. Somewhere, it seems, that those who were behind the one-star marking, were actually such people.

However, one of the remarks by Raja Vijay Karan was very startling. He had called some of the underworld criminals as legendary. It is quite amusing if the police officer is rating them like this or is it a tongue in cheek remark? Probably, it is so, and the targets are someone else.

Raja Vijay Karan had also tackled the issue of a Caged Parrot and CBI. It seems as if he was rejoicing in the work of Neeraj Kumar and felt the satisfaction that the credibility and reputation of CBI had been salvaged by the writings and works of Neeraj Kumar. The jobs pulled out by Neeraj Kumar were definitely worth appreciating as they had long-term repercussions for the future diplomatic relations of the country regardless of the people who would frame the foreign policy of the nation.

Raja Vijay Karan remembered in great administration the work done by Neeraj Kumar in Prison reforms and making the police department more accessible to people through the use of the virtual world.

Raja Vijay Karan also emphasised the significance of police work for social and political policies of the government about maintaining the communal harmony.

Neeraj Kumar began with the preface. The plot of the book as framed by the author himself is already mentioned above. However, the preface is vital for learning about the working of CBI from a person who had worked in the department.

In the episode on Aftab Ansari, Neeraj Kumar discussed the role of American agencies in crime detection activities. Somewhere, while reading the contents, the blogger felt that the Indian police confidence level is overshadowed by the efficiency of the American police department. However, in the essay, he revealed that how did an Indian officer played intelligently on the ground when he managed the situation in foreign lands. He showed his astuteness in tackling the media also in foreign countries and thereby saving the nation from diplomatic embarrassment. In addition to that, in this very chapter, he had exposed the active role of Pakistan in the activities of India. He had shown in the case of Memon family that how Indian sleuths outwitted the Pakistani nefarious designs and organisations inimical to the Indian interest. However, it also raises a question that if our individual officers are so smart then why do we not contain the nasty neighbour.

In the episode of Aftab Ansari, he had brought out another angle of the problem of crime and terrorism in India. While revealing the development of Ansari career, he had exposed the role of the unlawful activities of the people from Hindu community wherein criminals like Babloo Srivastava and his coterie had grown. He had also taken up the contemporary issue of Kandahar hijacking case. Including all these issues, he had brought out a solution which required professional attention in South Block. He had talked about the synergy, mutual trust and cooperation mechanism. Probably, that is being now achieved through NIS.

In the second episode, Operation Desert Safari, he provided a glimpse in the working of the CBI and showed that how tricky and discreet activities are performed by the department. He had discussed the structure of the CBI also which could be useful for the uninitiated person if such a person knows only that much which the newspaper helps him to learn. However, he had talked about the archaic way of working of CBI, the lack of absorption of new technology and taking benefit from them. But, simultaneously he also showed that the officers of CBI officers are responsive and progressive also and quickly learn to get results from new technology. It is another thing, he had depicted a scene from last century. It is hoped that by now the scene may be entirely different.

In Operation Desert Safari, he had again shown that how police could achieve the result through synergy, cooperation and mutual trust. During the narration, he remembered some of the other illustrious officers like Mohan Chand Sharma, an inspector of Delhi Police, who was actually shown in wrong colours in a different case. The officer was shot in the course of active duty.

Dial D for Don, the third chapter which has imparted name to the book, may attract the attention of those people who were interested in the news reports when the author was in service. However, the transcript which the author had provided is different from the lingo which Zaidi had claimed to be the language of the person when he had managed to talk to him. Zaidi, in his Dongri to Dubai, recollected that he was highly taken aback by his sophisticated style of speaking. However, the police officer had given a transcript of the talk with the controversial person who talked to him in tapori or Mumbyia lingo and even taunted the officer on a phone when he was going to retire in 2013. A police officer could thoroughly explain how to judge these people. They come across such persons every other minute. Such criminals would never accept their fault and counter you with their questions which are usually a product of their distorted logic and justification.

In episode 4, the author had revealed another side of his learning and education. He seems to have good knowledge of Hindu scriptures. However, his way of explaining the shlokas is materialistic and influenced by Delhite intellectual world. Secondly, he had tried to reveal the deteriorating morality of the common man in Indian and mismatch of the Government version of the social values of the society.

In episode 5, the unmaking of Latif, which was being eulogised in the movie by Shahrukh Khan in Raaez, the retired officer had again shown the intricacies of the working of CBI. They could not be done according to the manuals of conduct. It is the intelligence of the officers on the field which matters more than anything else.

The episode 6 turns out to be the most fascinating chapter in the book. It is surprising to note that the author had given a short note to the book and tried to explain his case. However, therein, a real sensational transnational activity had been narrated. However, a question is repeated again that why are we not able to counter the activities of the inimical neighbour if we can outsmart them on different stages on the international level and continue to do that till this day?

The episode 7 is similar to the chapter 6 in nature and demonstrate the abilities of the people who run the CBI. I believe those who had given star one ranking to this book, could be people or organisation across the borders.

Devil Wears Khadi, the episode 8, is believed to be the most liked chapter by the forward writer Raja Vijay Karan and writer himself. It is about Romesh Sharma, the person who could buy a helicopter for ₹40000 and keep it at his farmhouse in Delhi itself. In this episode, the writer had tried to share his angst as well as settle scores with his adversaries. Probably, it is the chapter which had gained one-star rating to the book. If the author had watched those comment, he might have smiled at it fully knowing who they were. The author had hidden many names and the restraint could be appreciated because of the position which he had held in power circle owing to his organisation. Here, on the social media, his adversaries had hidden their real identities.

The episode 9, on Salim Kurla, brings out another feature of the personality of the author. It seems that he had intentionally written the chapter in the way he had narrated it. However, again, in this chapter, it is proved that everything cannot be conducted as per some manual of law maintaining rules and espionage. It is the personalities of the people which matters.

The episode 10, on Jagtar Singh Tara, is an odd selection. It is another thing that it also brings about the personality traits of the writer which he had demonstrated in the field, and he might have included it to share the real nature of the activities which are performed by the career officers. The only justification for its selection is that the case was also allocated to CBI.

The episode 11, Tracing of MK, is the episode which is spread of his career in CBI and his posting as a police commissioner of the Delhi Police. He had hidden the names of the different cricketers but openly revealed the name of Manoj Prabhakar.

In the acknowledgement section, Neeraj Kumar had given importance to the role of Sayantan Chakravarty who helped him to polish his manuscript. Neeraj Kumar in the Dedication section as well as in the Acknowledgement section is more emphatic to stress his affection for his granddaughter, and he feels more like a grandfather who wants to impress his granddaughter. Throughout the book, a police officer had revealed a different shade of human being who was out there to exercise his authority to accomplish the task assigned to him.

It is essential to observe that as a collective whole, the book is highly gripping and entertaining. In addition to that, the author has raised many issues concerning the police administration, law enforcing agencies and working environment. It is hoped that the Ministry of Personnel Affairs and the parent ministry the Home Affairs may evaluate it with the motive of improving the working of the law enforcement agencies. Many Universities have started Post Graduate Course in Police Administration. The book qualifies for being an excellent case study as well as a reference book.





Saturday, March 3, 2018

Byculla to Bangkok by S. Hussain Zaidi



Byculla to Bangkok by S. Hussain Zaidi 

The first remark

I am unable to connect the contents with the title of the work.

About the Content

However, this work is not merely a journalist work which is depicted more in the first instalment with the heading Dongri to Dubai. This work is made to look like a research work wherein the author works like an academician. In the source sections, Zaidi has given the primary sources. The primary sources are such which qualify the definition of the term in the academic circle. They are the court records, police records and the statements of the main characters which were recorded as per the legal rules. It includes the “Personal Interviews” with the major characters who formed the underworld thus qualify another definition of the research method. However, he has not provided the questionnaire. He had fused the contents of his interviews with the content of the whole work. He has used the services of many other participants in the research and gives them the full credit in the source section and the illustrations which he has used as the displays in the book. There are some exclusive photographs. 

The writer has also used the reports and opinion of his fellow colleagues with different newsmedia. He has used their ideas to build the body of his book.

Zaidi has used the academic works and eyewitness account and oral history. In case of developing the setting of Girangaon, these features are quite apparent. The Chapter 3, Girangaon: The Village of Mills is virtually a lecture in the introduction of the economic history. He has tried to give the historical analysis since the Queen's Proclamation. It reads like a lecture by a professor on the mercantilist period of Colonial India and rise of the Indian Capitalists under the Colonial rule. The writer has used an oral history of an eyewitness who had himself seen the changing skyline of Girangaon. It could be authenticated from the municipal records if attempt is made and the documents survives in the offices.

It is challenging to sustain the attention in the book as with every new chapter a new episode opens. Many readers probably will not able to make out any sense in some chapters which are actually the repetition of the chapters which are already written in Dongri to Dubai. There are many characters starting from Gawli, to Amar and Ashwin Nair to Shiv Sena people to the leaders of Mill workers to Dr Datta Samant to the encounter specialists like Salaskar, Pardeep Sharma et al., to the killing of Khatau, to Bollywood related episodes that it is difficult to sustain the attention. There are episodes about Bangkok but the attack on Chotta Rajan is not written again as it has already been done in Dongri to Dubai. The book is more about happenings in Mumbai. If there is an episode in Thailand and then there is a full-fledged episode in Dubai. The writer should have called this work as  "Anno Domini of Mumbai Manush" in place of calling it Byculla to Bangkok.

One of the surprising things is that the writer has claimed it as a sequel to the Dongri to Dubai. Dongri to Dubai was published by Roli Books and contains a forward by an established writer. This book does not include any forward. Secondly, this book was published by HarperCollins India in 2014. The publisher certifcate is at the end of the book. It is seen for the first time by the blogger. The earlier book by Roli books was published in 2012.

Another feature is the peculiar use of terms, verbs, adjectives and phrases. The writer has tried to use the expression of native English speaker.

The book is full of information which is probably not available in academic texts. It demonstrates that the academicians, especially from the field of history, should include the crime in society as part social features of their scholarly works.

While rating this book, I will like to give 3 out of 5 stars. On the scale of 10, I will give 5. But, I will strongly recommend it for reading especially for the people from academics. One can appreciate its contents more if Dongri to Dubai by the same author, is read before it. 


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Friday, February 23, 2018

Commenting on a Review for developing a review: An Attempt



A review of Dongri to Dubai: Six decades of the Mumbai Mafia by S. Hussain Zaidi.


The First Look at the Book:
This post is a comment on the review of a book by Aditya Menon published in India Today in May 2012. The name of the book in question is "Dongri to Dubai: Six Decades of the Mumbai Mafia". The book is written by S. Hussain Zaidi.

 Aditya Menon has titled the review of this book as "The Don's Story."


On the title page itself, there is a comment by Anil Kapoor. Hopefully, the name of the person mentioned is that of the film actor from Mumbai. The comment attributed to him states that it was the far best book on the Mumbai mafia. Is Anil Kapoor an authority on the Mumbai mob?


Another comment attributed to one Sanjay Gupta, who probably is the producer states that the film Shootout at Wadala was produced because of the information provided in the book under review. There is no doubt that one you read the first section of the book, you may undergo the feeling as if you are reading a story of a film. The text reads like as movie in a book.


The book was first published in 2012 by Roli Books Pvt limited, New Delhi.


Why did I get this book?

I am a student of History. My area of interest is Indian History. It does not mean that I read only about India. A history student studies the humanity as a whole. A history student does not belong to a particular nation, society, religion and other similar forces working in human society. When I read the history of other regions, I come across many studies which are of the crime and related issues. In case of the history of the USA, one can find many papers on the role of Mafia, the crime pattern and associated legislative debates. In India, you see such topics only in case of the research papers presented in the field of politics, law, public administration, police administration (it is now a separate faculty in many universities) or journalism. Therefore, there was always a feeling that something was missing while reading about the Indian society while reading history as defined by the universities. The general narrative is about the social groups, economic tensions, caste divide, development in legislation and other issues which are built on such conceptual framework that a common man does not recognise them in his daily life. There are such theoretical frameworks that are understood only by academicians. However, there are many topics which are missing from the history of India. On the other hand, if one reads the newspaper or watch television, there are reports and programmes related to crime. One does not find academicians discussing it as the part of the pursuit of the activities of humanity, especially among historians.


I have collected many books on crime and mafia related to the USA. It was a casual search with a search term 'mafia of India' that I came across by the book authored by S. Hussain Zaidi. I bought it on Amazon. I also purchased another title by the same author, and it is Mafia Queens of Mumbai which he had co-authored with Jane Borgs.


A new approach for writing a review


This time I have adopted a new approach to write this review. I am commenting on review by Aditya Menon to write the report of the book.


I am least interested in writing a review. My urge is to write, and I write what I want to write. For me, reading and then writing on what I have learned is an exercise which is similar to taking food and then going to gym to keep my body healthy. To keep my brain healthy, I read and then write. Mere reading does not make your mind healthy. It makes you iller if you do only that part of the act. You must write also. It is a simple rule. You go for input and then give output. Then check and compare it. Now, to make it relevant and make these activities meaningful on a blog, I have borrowed the term 'Review' because the knowledgeable people consider it useful in that manner.


I generally write whatsoever comes to my mind while reading something. Most of the reviews which I have written here are usually a spontaneous outpouring after completing a reading. During reading, I also write some comments on the book. I definitely incorporate them into the post. I write then read it; make some addition and deletions by consulting the notes which I have written and finally look out for spelling and grammar check. However, while writing this post, I did not write many notes. I marked many highlights and comments on the information provided by Zaidi. The book is so gripping that you do not want to stop and pick a pen. You continue to read from one chapter to other if you are not forced to leave it by the exigencies of your existence.


After completing the reading, instead of writing straightaway, I went for a search of the reviews written by people about this book. I had already noted that this book was published in 2012. During reading, or preferably at the closing chapters of the book in the Sections Sources and Acknowledgements, the writer himself had written that he started the work on this work in 2004. He was not sure that about the year itself. He has written that he began to write it in 2004-2005. He declared there that he completed it in 2011. It is quite evident from the Epilogue section in the book that he had finished this book after May 2011. He had also mentioned that the quantity of material which was collected for this book, he would have continued for some more years before he gave the final touch to this book. One can fully appreciate that after reading his book.


I had read this book in about a week. You have to attend to your own work also, therefore, I took that much time. Some reviewers had commented that they completed the reading in three days. Well, the book is such that you can do it or the contents may force you to read it in one sitting to complete the reading of 377 page out of 378. You must read this book from the title to the end to fully appreciate the quality of the work. Out of many reviews, I have selected one review Aditya Menon which appeared in May 2012 in India Today, and the link is https://www.indiatoday.in/india/north/story/dawood-ibrahim-dongri-to-dubai-by-s.-hussain-zaidi-102732-2012-05-20.


The book:


As I have already mentioned that this book is spread over 378 pages in Kindle format. The copy which I have used is in the composition of the novel template, and the digital format reads 6677 locations on my computer.


The book is divided into two sections viz. Part 1 and Part 2.


Part 1 contains 35 chapters. The writer has written about the background of the Mumbai Underworld as it developed in post-Independent India. He has started with the life of Haji Mastan, traced his survival and growth, substantiated it with some photographs; while determining the rise and maturity of Karim Lala, Varadarajan Mudaliar and writing the chapter titled 'The Baap of Dons' while tracing the origin of Dawood Ibrahim.


Part 2 contains 28 chapters. The Part 2, is exclusively about Dawood Ibrahim and his minions.


The book closes with four more sections which are titled Epilogue, Sources, Index and Acknowledgements. They are also the inseparable part of the book. If one skips those sections, then he does not know the whole book and can not comment on the book. Here, I believe that Aditya Menon has faulted.


In index section, the book qualifies for the rank of academic work. However, the way it appears in a digital format, it is not correct. Secondly, it has forced me to learn about the best arrangement of an index.


Aditya Menon began with a categorical statement that 'Dawood Ibrahim sells." What did he want to say? Are there more good books on Dawood Ibrahim and Underworld activities in India. It means that I have to learn that how much more had been written about the events of Underworld up to 2012. I do not think that it is being pursued attentively in India.


I have seen that many reviewers make comments which are meant merely to attract the attention of the reader or make there writing sensational. There is no harm in doing that. But if it does not synchronise with the ground realities or it gives a different direction to a narrative in the book or report then it is cheating. I have found it generally a fashion among the people from media world which includes even people from the film industry. I have high regards for the creative activity of Vishal Bhardwaj. He has written a forward to another book of Zaidi. He began with a statement that Crime is more juicier than Spirituality.


Crime is more juicier than Spirituality. What does that mean? What is a type of proposition? What kind of mindset does create such a kind of statement? Does it not suggest the eccentric and unbaked mind? You find a similar sweeping statement in case of Aditya Menon comments.


Aditya Menon had given an opinion that the media world had made the people from Underworld larger than life figure. It is an opinion, but it diverts the attention from the real issue. In the field of history, a good historian will help you to understand that the newspaper, performing arts, film media and for that purpose, all the forms of creative works are a source of providing facts. However, when it comes to the newspaper, they are highly critical of the value of this media as a source of information on the facts. There is a good example concerning the works of Kushwant Singh, a legendary journalist, about the Sikh history. The historians are very critical of his History of Sikhs. It is because, while dealing with facts and reporting it, the media person are not able to detach themselves from the social forces. Merely by adopting the format of writing a work in which you give references, evidence and testimonies, one can claim that his work is of academic nature. There is a need of being critical about the inferences which you drive. You must be concerned by the formulation. If you say that a field of activity is made a person a larger than life icon, then what is the opinion when you call a cricket player a God. Do you not falter in your evaluation? There is every freedom for everyone to use the language as they do. But, when it comes to giving a professional output to the society, then you must be as attentive about the use of the terms and words.


Zaidi had written this book based on the facts which he had collected with great efforts. It earns appreciation. While writing each chapter, he continues to shift from one style of writing to other. A reader may experience it by reading that in one chapter he is reading a script of a movie or a television episode. In another chapter, he may experience that as if he is reading a news report. In another chapter, he will find that as if he is reading an article. The best example is the chapter Making of an Empire, chapter 1 in Part 2. It is an economic report on the rise of Dubai as an international financial centre. Therein, the writer does not talk about Dawood as an icon but Dubai as an icon. But the question arises, that how does Dawood identify the significance of Dubai? Was it his religion or the international economy?


Similarly, Zaidi writes many chapters in which he writes dialogues between two characters as if he is writing a script of a scene. In chapter 25, 26 and 27, in Part 2, the nature of the chapters is entirely different from the rest of the book. They read like a report. Similarly, the chapter 28, titled The Big D makes the Forbes Cut is an euology of a different kind. Can we say that it was the film industry and news media that made him a larger than life figure that helped him to make it to Forbes list? The actual issue is something else. Zaidi has not taken up the question about the methods adopted during the tenure of Julius Reberio. He has not taken up the issue of the role of the politicians. The writer has not taken up the subject of Shiv Sena and Bal Thackrey's editorials in Samana. But, the work which he produced has emphasised the existing gap in the studies which are undertaken by the intellectuals of India and he has done his part of the job. It is definitely a right comment by Aditya Menon to emphasise this point.


Aditya Menon has made the right comments but mixed his with his own opinions. He calls it a seminal work. It is the correct observation and the perfect review of the work. However, he criticised it for a filmy narrative. One can quickly experience it by reading the book to appreciate the observation of Aditya Menon. Yet, we have to give space to Zaidi. It is his mixture of different styles of creating of each chapter, which has given a character to this book. Secondly, if you read his section of Acknowledgement, you will learn that he has to claim any perfection in the field of writing such a work. He has done the right type of work required for this job. He has taken help from many friends to finish this job. Being a journalist, they are already in the work of writing. It seems he knows the shortcomings of his own work. But if he has published it, then he has done it with the confidence in the actual nature of his activity and the book.


I have learnt later that one of his earlier book, 'Black Friday', has been made into a movie. He is definitely writing with multiple motives. He has a right to do that. But, his "filmy style narrative" has earned him a criticism from Aditya Menon.


Aditya Menon has raised some objections against the actual nature of work but pointing it out that Zaidi has not made it a concrete work. Aditya says that he had failed to answer many questions after raising it. There are many more similar issues. While giving references which are from the internet itself, Zaidi has not followed the professional style. In chapter 27, part 2, titled Boucher's Botched Attempt, he had referred to a document based narrative. Zaidi had reproduced the reports of Indian Express and even the stories registered by him in a capacity of a reporter. But, Zaidi has not adopted the professional style of quoting it. When he writes, to quote Aditya, in his dialogue-baazi style, he does a great job. But, when Zaidi writes a serious chapter based on documents, he does not follow the professional style. Zaidi raised issues. But, he does not write the inferences. Zaidi raised the issue of Dongri becoming a crime spot. Zaidi raised the issue of Muslim boys taking to crime. But, Zaidi missed the point about the Gawle or Bada Rajan, his typewriter Chor joining the crime world. He missed the point that Tamil Nadu and Uttar Pradesh migrants became criminals in Mumbai. Zaidi has not tried to take up the issues of those police officers who were wronged by the Patthar wali building. He has praised Ibrahim Kaskar, as the most revered Headconstable for credibility as a professional policeman and Musalman whom even Karim Lala did not dare to oppose, but he missed those issues which were creating the situation to help the crime to flourish.


Aditya Menon has reasoned it out himself that the book of this kind cannot be encyclopaedic in nature. But, there is definitely an imbalance in the treatment of the subject. But, Aditya is too harsh in case of the quality of Epilogue chapter. One can understand that the details of the incident at that time were not available at the time when the book was packed for publication. It is right that Zaidi had tried to create an ambience about which probably did not have any authentic documentary or eyewitness account. But, Aditya is harsh in criticising the work of Zaidi in this case.


On the issue of Pakistan and Dawood role, Aditya has rightly marked out that Zaidi has been able to given an inference which is useful for the government to consider. Aditya has also praised the efforts of Zaidi to give the honour to all those journalists from different languages from whom Zaidi had collected the facts.


Aditya Menon has called his review as 'The Don's Story'. Now the criticism by Aditya Menon of the media that the latter tends to sensationalise some issues can be directed against Aditya Menon for choosing such a title. I was more interested in gathering information about Haji Mastan when I stumbled upon this book. I read it because it was telling about Haji Mastan. Is it a book only about Underworld Dons' or about one particular Don? I read it for knowing the story of Haji Mastan, and I learned about Dawood Ibrahim. Aditya Menon has praised the work of Vikram Chandra who has written forward to this book. Vikram Chandra is all praise for the abilities and calibre of Zaidi. For me, this book has justified my quest for this kind of literature. Therefore, there is all praise for the efforts of Zaidi.


Zaidi himself is an eyewitness to the developments which are the foundation of this book. Zaidi has recorded oral history from the eyewitnesses who would have been lost and then got distorted in future documentation if he had not documented that. Aditya Menon review is the best review of this book. I have read the whole book. I have found Aditya Menon has done an excellent job. Zaidi has performed his job for which he will be remembered.